Developed with Sensory Atelier, Three-Body Immersive Art Exhibition moves between a hostile four-dimensional landscape and the regenerative world of the 647th Universe.
Four-dimensional space
Projection transforms monumental sculpture into an apocalyptic theatre. Warped viewpoints, digital arrays, reflective corridors and close-range interaction unsettle the viewer’s ordinary spatial orientation. The work uses light, sound and interaction to suggest the fragility of a three-dimensional world when confronted with a dimension it cannot fully comprehend.
The installation includes ecological spheres, sculptural remnants and interactive structures. Each part gives the audience a different distance from the work: some elements are encountered one-on-one, while others unfold as an environmental scene.
The 647th Universe
The 647th Universe introduces a more animated counter-space. Mushroom-like digital organisms, a wheat-field robot, drifting bottles and a small fish ecosystem form a speculative landscape where an archive of civilisations can circulate again.
Visitors can leave a message through the drifting bottle. It turns the work’s imagined cosmic archive into a collective record: what would remain when thought no longer belongs to one individual alone?
作品与 Sensory Atelier 共同开发，在敌意的四维景观与第 647 宇宙的再生世界之间移动。
投影将巨型雕塑转化为末日剧场；扭曲的视点、数字阵列、反射性走廊与近距离互动，打破观众日常的空间定向。光、声音与互动共同指向三维世界在面对无法完全理解的维度时所显露出的脆弱性。
展览包含生态球体、雕塑残骸与互动结构。观众会从不同距离进入作品：有些元素只能一对一遭遇，有些则作为环境场景展开。第 647 宇宙中的菌类数字生命、麦田机器人、漂流瓶与小型鱼类生态，形成一个让文明档案再次流动的推想景观。
